Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
"The Social History of Smoking" by George Latimer Apperson, can be purchased at Amazon.com in two different versions. Depending on the quality of the edition, prices range between $35 and $104.
From Chapter 1: Various places are traditionally associated with Raleigh's first pipe. The most surprising claim, perhaps, is that of Penzance, for which there is really no evidence at all. Miss Courtney, writing in the Folk-Lore Journal, 1887, says: "There is a myth that Sir Walter Raleigh landed at Penzance Quay when he returned from Virginia, and on it smoked the first tobacco ever seen in England, but for this I do not believe that there is the slightest foundation. Several western ports, both in Devon and Cornwall, make the same boast." Miss Courtney might have added that Sir Walter never himself visited Virginia at all.
From Chapter 7: Warton and another Oxford smoker of some distinction—the Rev. William Crowe, who was Public Orator from 1784 to 1829—are both said to have been, like Prior, rather fond of frequenting the company of persons of humble rank and little education, with whom they would drink their ale and smoke their pipes.
Mr. A.D. Godley, in his "Oxford in the Eighteenth Century," gives an excellent English version of the Latin original of one of the Christ Church "Carmina Quadragesmalia," which affords much the same picture of the daily life of an Oxford Fellow in the days when George I was king. This good man lives strictly by rule, and each returning day—
Ne'er swerves a hairbreadth from the same old way. Always within the memory of men He's risen at eight and gone to bed at ten: The same old cat his College room partakes, The same old scout his bed each morning makes: On mutton roast he daily dines in state (Whole flocks have perished to supply his plate), Takes just one turn to catch the westering sun, Then reads the paper, as he's always done; Soon cracks in Common-room the same old jokes, Drinking three glasses ere three pipes he smokes:— And what he did while Charles our throne did fill 'Neath George's heir you'll find him doing still.
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From Chapter 8: Parr was not a model smoker. He was brutally overbearing towards other folk, and would accept no invitation except on the understanding that he might smoke when and where he liked. It was his invariable practice, wherever he might be visiting, to smoke a pipe as soon as he had got out of bed. His biographer says—"The ladies were obliged to bear his tobacco, or to give up his company; and at Hatton (1786-1825) now and then he was the tyrant of the fireside." Parr was capable of smoking twenty pipes in an evening, and described himself as "rolling volcanic fumes of tobacco to the ceiling" while he worked at his desk. At a dinner which was given at Trinity College, Cambridge, to the Duke of Gloucester, as Chancellor of the University, when the cloth was removed, Parr at once started his pipe and began, says one who was present, "blowing a cloud into the faces of his neighbours, much to their annoyance, and causing royalty to sneeze by the stimulating stench of mundungus." It is surprising that people were willing to put up with such bad manners as Parr was accustomed to exhibit; but his reputation was then great, and he traded upon it.
From Chapter 15: The older tobacconists were wont to assert, says Larwood, that the man in the moon could enjoy his pipe, hence "the 'Man in the Moon' is represented on some of the tobacconists' papers in the Banks Collection puffing like a steam engine, and underneath the words, 'Who'll smoake with ye Man in ye Moone?'" The Dutch, as every one knows, are great smokers, so a Dutchman has been a common figure on tobacconists' signs. In the eighteenth century a common device was three figures representing a Dutchman, a Scotchman and a sailor, explained by the accompanying rhyme:
The bill bearing this sign is in Banks's Collection, 1750. Another in the same collection, with a similar meaning but of more elaborate design, shows the three men, the central figure having his hands in his pockets and in his mouth a pipe from which smoke is rolling. The man on the left advances towards this central figure holding out a pipe, above which is the legend "Voule vous de Rape." Above the middle man is "No dis been better." The third man, on the right, holds out, also towards the central figure, a tobacco-box, above which is the legend "Will you have a quid."
